西班牙桑坦德力量系列艺术设计 | PEJAC

“‘力量’系列旨在表达对Valdecilla医院医务工作者的感激之情，尤其是感谢他们在疫情期间的付出。我所能做的，就是通过自己最擅长的绘画传递出这份心意。” – PEJAC

^{“The idea of the ‘Strength’ project arises as a gesture of gratitude to the heath workers of Valdecilla, for their work in general and during this Covid crisis in particular. Offering them what I do best, which is painting.” – PEJAC}

在这场载入全球史册的疫情中，艺术家Pejac的家乡也深受影响，目前，疫情已夺走了那里的50,000多条生命。作为纪念，Pejac在家乡Marqués de Valdecilla大学的医院创作了三组作品。这一系列以“力量”为名，映射出人们面对疫情最需要的态度。在综合医院楼的墙上，“力量”系列以三组作品诠释了当前的危机与应对的方法。

^{Marking the historic moment in global history, a pandemic that strongly affected his homeland taking over 50,000 lives so far, Pejac recently created 3 interventions at University Hospital Marqués de Valdecilla in his hometown Santander. Entitled after the quality of being strong, much needed in the world we live today, and especially within the walls of a hospital complex, ‘Strength’ is addressing 3 different aspects of the current crisis and proposes the ways we could respond to them.}

^{▲“力量”系列，“社交距离”，Strength, Social Distancing © Pejac}

^{▲“力量”系列，“克服”，Strength, Overcoming © Pejac}

^{▲“力量”系列，“关怀”，Strength,  Caress © Pejac}

“从一开始，医院便以开放和热情的态度为项目提供了和谐轻松的氛围。此外，他们还给了我完全的创作自由，这种信任与支持是如此奢侈与珍贵。” – PEJAC

^{“From the first moment, the hospital has been receptive and enthusiastic and that has made the project flow in a harmonious and easy way. In addition, they have given me total creative freedom and it has been a luxury to have their trust and support”. – PEJAC}

“社交距离”

Social Distancing

“社交距离”是一种错觉干预，艺术家在平整的水泥墙面上刻画下一条深深的沟壑。走近观看，沟壑由许许多多出逃的小人构成，墙上的创口正象征着疫情留下的创伤，艺术家借此向医务工作者和逝去的人们致敬。

^{Social Distancing is a trompe l’oeil intervention that creates an illusion of a deep gaping crevice on a rigid surface of a cement wall. Made from countless human silhouettes that are trying to escape it, the artist wanted to represent the wound that this pandemic has left and do it as a tribute to health workers for their respect and solidarity towards the victims.}

^{▲“社交距离”概览，overview of Social Distancing © Pejac}

在描述疫情伤害同时，作品还提出了“社交距离”作为解决方案。拥挤的人群中也包含着重聚、同情、爱与关怀的场景，象征着更加光明，充满希望的未来。

^{While the image serves as a metaphor for the damage done by the pandemic, it also literally proposes Social Distancing as a way to fix them. In between the large crowd, the artist included scenes of reunion, empathy, care, and love, suggesting a door to a better, hopeful future.}

^{▲沟壑由许多出逃的小人构成 the image made from countless human trying to escape © Pejac}

^{▲细部，重聚、同情、爱与关怀的场景 details, scenes of reunion, empathy, care, and love © Pejac}

^{▲作品与医务工作者的互动 interaction between the work and the health workers © Pejac}

^{▲艺术家创作现场，creation scenes © Pejac}

“克服”

Overcoming

“克服”是该系列的第二个作品，由患肿瘤的孩子们参与完成，他们和艺术家一起，用手掌再现了梵高的“麦田与柏树”。这件作品与Pejac2015年在挪威的创作异曲同工，在那件作品中，一个男孩用玩具车重现了蒙克的名画“尖叫”。艺术家还在“克服”中描绘了一个男孩，他以轮椅为支撑，却比任何人都画的更高。这也寄托了艺术家的美好心愿，希望社会跨越这场危机，继续前进。

^{Overcoming is the second piece from the series which was realized with on-hand help by young oncology patients. Depicting a child recreating Van Gogh’s ‘Wheat Field with Cypresses’ with his hands, the piece is somewhat a take on Pejac’s work he created in Norway in 2015, showing a boy recreating Munch’s Scream with his toy cars. In the piece, a child is propped on the wheelchair, able to paint higher than the rest. “This is something that we, as a society could do – take this crisis and use it to propel us forward,” the artist suggests.}

^{▲轮椅上的男孩比任何人都画的更高， the child on the wheelchair able to paint higher than the rest © Pejac}

^{▲患肿瘤的孩子们参与完成的“克服”，Overcoming realized by young oncology patients © Pejac}

^{▲细部，details © Pejac}

“关怀”

Caress

“关怀”作为该系列的最后一件作品，诗意地描绘了疫情期间医患间的联系。虽然双方正在对视，但身体却保持着物理距离。倒映的身影诉说着对彼此的需要，充满对肢体接触的渴望。Pejac将影子描绘成五彩缤纷、宁静平和的睡莲池塘，以致敬莫奈的“睡莲”，莫奈正是他最喜欢的画家之一。

^{Caress is the final piece that poetically describes the new dynamics of the relationship between the patients and the health workers imposed by the COVID virus. While physically standing distant and only looking at each other, their shadows are depicting the need and wish to return to physical contact. Pejac also added a sense of serenity and beauty by turning their shadows into a colorful and peaceful pond with water lilies, paying homage to one of his favorite painters, Monet, along the way.}

^{▲诗意地描绘医患间的联系， poetically describing the relationship between the patients and the health workers © Pejac}

^{▲致敬莫奈的“睡莲”，paying homage to Monet © Pejac}

^{▲艺术家创作现场，creation scenes © Pejac}

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